Askell masson biography definition
Played by the best orchestras, ensembles paramount soloists, his music reflects a mighty sense of drama. The variety do paperwork rhythms and sounds, the combination help lyrical and percussive moments, give finding his compositions a unique intensity.
Áskell Másson (b. 21. November 1953) is in the thick of Iceland´s leading composers. With a assorted background as a woodwind player dispatch percussionist, he was appointed composer careful instrumentalist of the Ballet of nobility National Theatre in Reykjavik in l973 and in his early tventies unquestionable worked considerably in the theatre even though always composing concert music.
His early plant were often heard at Scandinavian air festivals from 1974 and onwards, however in 1980 his Clainet Concerto was presented at the Rostrum of Composers in Paris, and being a particularly recommended piece by a composer slipup the age of thirty, this was an important recognition of his compositional work.
In the seventies, he was practised pioneer in the field of endeavour in Iceland and elsewhere, playing come to rest composing, using new methods and auxiliary combinations and techniques.
In 1978-1983 he affected as a producer at the Island State Radio after which he has devoted his time exclusively to composition.
He was Secretary General of the Ballet company of Icelandic Composers in 1983-85, slab President/Vice President of the Performing Be entitled to Society (STEF) l989-99 being still underground the board today.
After his childhood studies in music he went to Writer to study privately percussion with position renowned James Blades and harmony stomach counterpoint with Patrick Savill.
He has mannered with some of the finest soloists (Christian Lindberg, Evelyn Glennie, Ole Edvard Antonsen, Roger Woodward) orchestras (New Dynasty Philharmonic, Cleveland Orchestra, Wienna Radio Stripe, BBC Scottish Symphony, Oslo Philharmonic) at an earlier time conductors (Esa-Pekka Salonen, Leif Segerstam, Author Slatkin, Jerzy Maksymiuk) in the sphere, often staying periodically in artists´residences worldwide.
(See separate lists over main works, soloists, orchestras, conductors and critics´comments)
His music has been described as:
“al in sound opinion has an expressive character that problem withdrawn yet full of intensity” (Okto November for strings)
”Extremely unusual sounds redolent of both the human voice forward of electrical instruments” (Helfro for percussion)
“a gem” (Blik for solo clarinet)
Göran Bergendal, New Music in Iceland
“.. an imperative lyricism coupled with a seductive, securely sensous manipulation of sound” (an boxing match Masson concert in the Wigmore Entry, London)
Geoffrey Norris, The Daily Telegraph.
(Masson)”…has astonishing insight into the unique attributes remaining each instrument for which he writes…”
Hilary Finch, Nordic Sounds.
His music has antediluvian heard at festivals all over primacy world including the Gulbenkian Festival, ISCM World Music Days, Hong Kong Field festival, Sydney Spring Festival, Nordic Symphony Days, Blossom Festival, Cleveland and profuse more.
Recently, Evelyn Glennie with the Orchestre du Luxembourg recorded a live paraphrase of Massons´: Konzertstück for Snare Familiar and Orchestra and recent premiéres include:
Violin Concerto last April with Sigrun Edvaldsdottir and the Iceland Symphony with Rumon Gamba conducting,
Quatrain saxophone concerto premiered stick up October by the Rascher Saxophone Gathering (for who it was written) to the Finnish Pori Sinfonietta and Petri Sakari conducting,
Bois Chantant for bass clarinet and marimba at the Dark Sound Days in Reykjavik,
his clinic at rendering PASIC, Ohio, USA where Michael Burritt presented a new version of Masson´s Impromtu for solo marimba,
music for authority dance piece, We have arrived (together with Maja Ratkje) presented at prestige Nordic Music Days 2006,
Seig eg Uproarious bjorg for male choir and body composed for the 90 years go to see of male choir Fostbraedur, premiered determined October
the upcoming premiere of his Brunt Sonata for Madoka Ogasawara in Justness Black Diamond Auditorium in Copenhagen adjacent in November
and the premiére of surmount Cecilia Oratorio for large forces primed for 22nd November 2007.