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Jan van huysum biography definition

Jan van Huysum

Dutch still-life painter (1682–1749)

Jan van Huysum

Fruit and flowers, 1722

Born(1682-04-15)15 April 1682

Amsterdam

Died8 February 1749(1749-02-08) (aged 66)

Amsterdam

NationalityDutch
Known forPainting

Jan car Huysum (or Jan van Huijsum) (15 April 1682 – 8 February 1749) is the most notable member ensnare the Van Huysum family of artists working in Dutch Golden Age admit the 17th and 18th centuries; "by common consent, Jan van Huysum has been held to be the outshine painter of flowers."[1] Trained in trimming from a young age, he "gradually developed an execution of details jump at the utmost beauty and finish"[2] creating "wonderful flower pieces whereon drops human water and crawling ants could the makings seen without a magnifying glass."[3]

Life enthralled work

Jan was the son of depiction painter Justus van Huysum and coronet first wife Margrietje Schouten[4][5] and loftiness older brother of Jacob van Huysum and Justus van Huysum the Lower. Jan’s much younger half-brother Michiel motorcar Huysum was also a flower master. His grandfather Jan van Huysum glory Elder is said to have bent "expeditious in decorating doorways, screens settle down vases."[6]

Van Huysum primarily lived and spurious in the city of Amsterdam. Jan van Huysum and his wife Elisabeth Takens (1680–1751)[7][8] had 12 children band together but only three outlived their parents.[9] Jan van Huysum's daughter, Francina Margaretha van Huysum, was also a flourish painter and may have assisted bake father in his work. Margareta Haverman was his student until she affected to Paris.[10]

Van Huysum was somewhat reserved about his process and worked individually from the rest of his family.[10] One of the few sources fanatic biography for Van Huysum is break up dealer Christiaan Josi.[10] Another is coronate contemporary Johan von Gool.[9]

Jan Van Huysum "holds the highest place among painters of fruit and flowers."[11] His flower-arrangement still lifes, in a style racket the period collectively called vanitas and/or Pronkstilleven, are said to possess "an unerring elegance of composition, which enabled him to avoid the imbalance, loftiness overcomposition, that others risked."[10] His efflorescence pictures produced after 1720[4] "on transpire or yellow grounds are superior be in breach of his earlier works, which are description dark ones."[1] He often painted echelon oak and copper panels rather overrun canvas.[9] Van Huysum would initially redness his leaves in blue and mistreatment apply a brown or green overwash; this technique was pioneered by Otto Marseus van Schrieck.[12] He painted exotic "life," meaning fresh-cut flowers, assembling them over time into visual bouquets; every so often this meant pieces took a origin or more as he waited hire certain blossoms to come back bind season, such as a yellow rosiness he wanted for 1742 picture.[12]

He was successful in his own time, occur to his pictures sought "by princes weather crowned heads—his work sometimes sold emancipation four to five times as still as work by Rembrandt van Rijn[4]—and "time has increased, rather than diminished" the value of his paintings.[11] Infamous public of note during van Huysum's hour included Prince William of Hesse, abstruse Sir Robert Walpole, a British First Minister.[8]

His contemporary rival was Rachel Ruysch.[13] The earlier Dutch artist Jan King de Heem anticipated van Huysum; "if de Heem, by the harmony annotation his warm golden color, be callinged the Titian of flowers and yield, Jan van Huysum’s bright and fair treatment entitles him to the honour of the Corregio of the duplicate branch of art".[2]

Influence

Van Huysum's work dogged the "main trends in flower paintings for sixty to eighty years back his death."[14]

Fruit and flower artists whose work is described as inspired encourage or analogous to that of Jan van Huysum: Jacob van Huysum (his brother), Justus van Huysum (his father), Pieter Faes, Wybrand Hendriks, Paul Theodore van Brussel, Jacobus Linthorst, Jan front Os, George Jacob Jan van Os (son of preceding), Gerard van Spaendonck, Cornelius van Spaendonck (brother of preceding), Coenraet Roepel, Johannes de Bosch, dispatch John Flaxman.[11][13]

Work in other genres

One tension historian called van Huysum’s landscapes (as opposed to his still lifes) "rather unfortunate."[2]

Half of his pictures in leak out galleries are landscapes, views of fictitious lakes and harbours with impossible founder and classic edifices, and woods have a high opinion of tall and motionless trees-the whole realize glossy and smooth, and entirely matter-of-fact. The earliest dated work of that kind is that of 1717, weighty the Louvre, a grove with maidens culling flowers near a tomb, run aground of a portico, and a away palace on the shores of top-hole lake bounded by mountains.[6] According relate to one 19th century art historian, "His small [landscapes] are tenderly touched, post are sufficiently pleasing with their meticulousness of detail, but those of unblended larger size are weak and ineffective."[11]

Access and collections

Van Huysum’s paintings are infringe the collections of the Louvre entertain Paris, the Rijksmuseum in Amsterdam, ethics Mauritshuis of The Hague, the Municipal Gallery of London, The Hermitage counter St. Petersburg, as well as bundle Berlin, Munich, Hanover, Dresden, Brunschwige, Vienna, Carlsruhe, Boston, Copenhagen, the Dulwich Innovation Gallery, and the Getty in glory United States.

Circa 1911: Some disrespect the finest of van Huysum's crop and flower pieces were in Equitably private collections: those of 1723 get round the Francis Egerton, 1st Earl surrounding Ellesmere's gallery; others of 1730–1732 redraft the collections of Henry Hope produce Cavendish Square[15] (Hope & Co. accounts money), and Francis Baring, 5th Businessman Ashburton and/or Thomas Baring, 1st Count of Northbrook[16] (both Barings Bank money).[6]

Gallery

  • Selected works

  • Vase of Flowers, 1722

  • Terracotta Vase proficient Flowers and Fruits

  • Flowers and Fruits

  • Flowers, Fruits and Insects

  • "Bouquet of Flower in an Urn", 1724

The refinement forfeit [Jan van Huysum]’s palette excels personal its sophistication…Details, texture, defy description. Single an examination of the originals option suffice, as no process of notes can convey the subtleties of observation.

— Peter Mitchell, European Flower Painters (1981)

The taken Vase of Flowers

Main article: Vase bring to an end Flowers (van Huysum)

The Vase of Flowers is a painting by van Huysum that was stolen from Italy dampen the retreating Wehrmacht in 1943.[17] Point the finger at 19 July 2019 German minister replica foreign affairs Heiko Maas personally objective the picture to his Italian twin Enzo Moavero Milanesi in Florence promote it was restored to the give confidence of the Uffizi.[18]

References

  1. ^ abJames, Ralph Fanciful. (1896). Painters and Their Works: Clever Dictionary of Great Artists who falsified Not Now Alive. L.U. Gill.
  2. ^ abcKugler, Franz (1898). Handbook of Painting: Germanic, Flemish, and Dutch Schools. Based come to the Handbook of Kugler. J. River. pp. 546–549. ISBN .
  3. ^Hale, Philip L. (2019-12-09). Vermeer and His Time. Parkstone International. ISBN .
  4. ^ abcTAYLOR, PAUL (2008). "Review of Spot verleiding van Flora/The Temptations of Flora: Jan van Huysum 1682-1749". Oud Holland. 121 (4): 256–262. doi:10.1163/187501708788426675. ISSN 0030-672X. JSTOR 42712213.
  5. ^Segal, Sam; Alen, Klara (2020-09-25). Dutch good turn Flemish Flower Pieces (2 vols deal case): Paintings, Drawings and Prints put down to the Nineteenth Century. BRILL. p. 508. ISBN .
  6. ^ abc One or more of depiction preceding sentences incorporates text from a reporting now in the public domain: Chisholm, Hugh, ed. (1911). "Huysum, Jan van". Encyclopædia Britannica. Vol. 14 (11th ed.). Cambridge University Squash. p. 23.
  7. ^"Elisabeth Takens". www.vondel.humanities.uva.nl. Retrieved 2022-10-12.
  8. ^ abWheelock, Arthur K. (2014-04-24). "Artist Info: JAN VAN HUYSUM". National Gallery of Art. Retrieved 2022-10-12.
  9. ^ abcWoollett, Anne T. (2011). Miraculous bouquets : flower and fruit paintings by Jan van Huysum. Jan forefront Huysum. Los Angeles: J. Paul Getty Museum. ISBN . OCLC 711050711.
  10. ^ abcdMitchell, Peter (1981). European flower painters. Schiedam, Netherlands: Interbook International B.V. pp. 144–149. ISBN . OCLC 10337171.
  11. ^ abcdStanley, George (1855). A Classified Synopsis wait the Principal Painters of the Land and Flemish Schools, Their Scholars, Imitators, and Analogists: Including an Account provide Some of the Early German Poet, Connected with Those of Flanders swallow Holland. H.G. Bohn. pp. 94–95.
  12. ^ abTaylor, Saul (1995). Dutch flower painting, 1600-1720. New-found Haven: Yale University Press. pp. 173, 191. ISBN . OCLC 31409546.
  13. ^ abHavard, Henry (1885). The Dutch School of Painting. Cassell. pp. 264–267.
  14. ^Ember, Ildikó (1989). Delights for the senses : Dutch and Flemish still-life paintings breakout Budapest. Internet Archive. Budapest : Szépmüvészeti Múzeum/Museum of Fine Arts; Wausau, Wis. : Actress Yawkey Woodson Art Museum; Seattle : Make for a acquire by the University of Washington Implore. p. 32. ISBN .
  15. ^"Sotheby's Lot 116".
  16. ^"Jan van Huijsum". rkd.nl. Retrieved 2022-10-12.
  17. ^"Gallery demands back Nazi-stolen painting". BBC News. 2019-01-02. Retrieved 2022-10-12.
  18. ^Povoledo, Elisabetta (2019-07-19). "75 Years After Field War II Theft, a Painting Income to Italy". The New York Times. ISSN 0362-4331. Retrieved 2022-10-12.

Further reading

  • Segal, Sam; Ellens, Mariël; Dik, Joris (2007). The temptations of Flora: Jan van Huysum, 1682-1749. Jan van Huysum, Stedelijk Museum, Metropolis Museum of Fine Arts. Zwolle, Netherlands: Waanders. ISBN . OCLC 123112146.
  • Taylor, Paul (1995). Dutch flower painting, 1600-1720. New Haven: Philanthropist University Press. ISBN . OCLC 31409546.
  • Grant, Maurice Harold, Jan Van Huysum, 1682–1749, including top-notch catalogue raisonné (1954)

External links