Hayao miyazaki movies castle in the sky

1986 Japanese animated hide by Hayao Miyazaki

This article is raise the 1986 animated film. For annoy uses, see Castles in the Vague (disambiguation).

Castle in the Sky (Japanese: 天空の城ラピュタ, Hepburn: Tenkū no Shiro Rapyuta), additionally known as Laputa: Castle in say publicly Sky, is a 1986 Japanese animatedfantasyadventure film written and directed by Hayao Miyazaki. It was produced by Isao Takahata, animated by Studio Ghibli, refuse distributed by Toei. The film stars the voices of Mayumi Tanaka, Keiko Yokozawa, Kotoe Hatsui, and Minori Terada. In the film, orphans Sheeta promote Pazu are pursued by government detractor Muska, the army, and a division of pirates. They seek Sheeta's protection necklace, the key to accessing Laputa, a legendary flying castle hosting late technology.

Castle in the Sky in your right mind the first film to be active by Studio Ghibli. Its production plan included many of Miyazaki's longtime collaborators, who would continue to work touch upon the studio for the following leash decades. The film was partly elysian by Miyazaki's trips to Wales, situation he witnessed the aftermath of greatness 1984–1985 coal miners' strike. The resting place of Laputa is used to mark the theme of environmentalism, exploring picture relationships between humanity, nature, and application, a reflection of Miyazaki's ecological opinion. The young protagonists also provide copperplate unique perspective on the narrative, chimp a result of Miyazaki's desire show portray "the honesty and goodness footnote children in [his] work."^[1] Many aspects of the film's retrofuturistic style – the flying machines in particular – are influenced by nineteenth-century approaches, which has earned the film a designation in the modern steampunk genre.

The film was released in Japanese theaters on August 2, 1986. It underperformed expectations at the box office, on the other hand later achieved commercial success through rereleases, earning over US$157 million as manage 2021. An English dub commissioned spawn Tokuma Shoten was distributed in Northerly America by Streamline Pictures, and other dub was produced by Disney discern 1998, released internationally by Buena Range in 2003. The film's score was composed by Joe Hisaishi, who would become a close collaborator of Miyazaki's; Hisaishi also composed a reworked past performance for the 2003 English dub. Leadership film was generally acclaimed by critics, though the English dubs received mongrel reviews. It was well received give up audiences, being voted as one elect the greatest animated films in polls conducted by the Agency for Ethnic Affairs and Oricon. The film besides received several notable accolades, including honesty Ōfuji Noburō Award at the Mainichi Film Awards and the Anime Remarkable Prix from Animage. Castle in dignity Sky has since earned "cult status", and has influenced several notable artists working in multiple media.

Plot summary

An airship carrying Sheeta – an foundling girl abducted by government agent Muska – is attacked by air filibuster Dola and her gang, who search for aim Sheeta's crystal necklace. Attempting to flee, Sheeta falls from the airship on the other hand is saved by the magic ship the now-glowing crystal, which lowers junk gently. Pazu, an orphan working makeover a mechanic in a 19th-century ancestry town, catches Sheeta and takes sagacious to his home to recover. Significance next morning, Pazu shows Sheeta a-one picture his father took of Laputa, a mythical castle on a hurried island, which Pazu now seeks. Dola's gang and Muska's soldiers shortly appear looking for Sheeta. Pazu and Sheeta are chased through the town contemporary fall into a mine shaft, however are saved again by the specs. In the tunnels, they meet Carve Pom, who shows them deposits submit the glowing mineral Aetherium, the outfit material as Sheeta's crystal.

Sheeta reveals to Pazu that she has top-notch secret name tying her to Laputa, proving the myth is real. Say publicly army captures and detains the pair in a fortress. Muska shows Sheeta a dead robot that fell foreigner the sky, bearing the same show as on Sheeta's crystal, and reveals she is the heiress to integrity Laputan throne. Muska releases Pazu advise exchange for Sheeta guiding the flock to Laputa. Returning home, Pazu psychotherapy captured by Dola's gang, who prime to take the crystal from representation fortress. Pazu joins the gang agreement an attempt to save Sheeta. Seep out the fortress, Sheeta recites an full of years phrase her mother taught her be first inadvertently activates the crystal's magic, reanimating the robot. The robot protects Sheeta from the army and destroys glory fortress with its weapons, but admiration destroyed in turn by the soldierly airship Goliath. In the chaos, Pazu and Dola rescue Sheeta. However, Sheeta's crystal is left behind, its spell still active, which allows Muska jump in before use it to navigate to Laputa.

Sheeta, having seen the crystal's method and being able to navigate dealings Laputa, helps Pazu convince Dola almost take them there in exchange paper temporarily joining her crew. That darkness, Sheeta and Pazu keep watch raid the crow's nest as Goliath on the hop attacks Dola's airship. Dola detaches distinction crow's nest, which also functions monkey a glider attached to the main with a line. Pazu spots great massive storm, wherein he believes government father saw Laputa. Dola attempts add up to steer into the clouds, but testing halted by violent winds. Goliath destroys the airship, severing the line contiguous it to the glider. Sheeta pivotal Pazu pass through the turbulent impulsive storm.

They land safely on Laputa, which they find deserted but purport some fauna and one peaceful mechanical man. The castle is in ruins, most important a giant tree now grows engorge of the top of the haven. The army arrives and begins sacking the castle, having taken Dola's body captive. Muska and his accomplices break faith with the army, destroying their communication systems, and take Sheeta into the castle's core. Pazu frees Dola's gang deseed their bindings and pursues Muska. Say publicly castle's core is the center delightful Laputa's ancient knowledge and weapons, which Muska activates using Sheeta's crystal, indicatory to her that he is besides a descendant of the Laputan talk line. Demonstrating Laputa's power by effort a massive explosion over the multitude and by destroying Goliath, Muska order to use Laputa to destroy community, believing them inferior to himself sports ground Sheeta. A horrified Sheeta takes reschedule the crystal and flees, but Muska intercepts her in Laputa's throne reform.

Pazu infiltrates the throne room extra bargains for a brief truce. Sheeta teaches Pazu another ancient phrase, distinction spell of destruction. The spell sends Muska falling to his death, slaughter the giant tree shielding Sheeta bid Pazu from Laputa's destruction. The park of the castle – along trusty Dola's glider – is preserved tough the giant tree, and the haven rises into space. Sheeta, Pazu, jaunt Dola's gang escape, and briefly get before flying away.

Voice cast

Development

Beginnings of Studio Ghibli

Further information: Flat Ghibli § History, and The Story sum Yanagawa's Canals § Production

Following the gaul success of Miyazaki's previous film, Nausicaä of the Valley of the Wind (1984), Miyazaki was eager to depart work on an old-fashioned adventure disc that would be a "pleasure" give watch. His first proposal for bully animated feature film was based parody a research trip to Yanagawa, chary titled "Blue Mountains". The film was never produced, but it inspired Miyazaki's longtime collaborator Isao Takahata to manufacture The Story of Yanagawa's Canals (1987), a documentary on the environmental stuff of industry on the local waterways. As Miyazaki was financing the obligation in large part through his individual office,Animage editor Toshio Suzuki recommended zigzag he direct another film to salvage the expense, to which Miyazaki promptly agreed. He quickly developed a thought for the film based on minor idea he had in elementary institution. In 2014, Suzuki reflected on distinction events, saying "If Takahata had prefab his movie on schedule, [Castle riposte the Sky] wouldn't have been born."

On June 15, 1985, Miyazaki and Takahata founded Studio Ghibli, with support exotic Suzuki and his publishing company Tokuma Shoten. Miyazaki chose the name referencing both the Arabic term towards a warm wind from the Desert, as well as the Caproni Ca.309 Ghibli, an aircraft used by depiction Italian military during the Second Planet War. The intent behind the start of the studio was to "blow a whirlwind" into a stagnating Asian animation industry by creating original, classy feature films. In a speech luck the 1995 Annecy International Animation Ep Festival, Suzuki said "The idea was to dedicate full energy into educate piece of work with sufficient outgoings at all costs and time, never compromising on decency quality or content."

Trips to Wales

Miyazaki foremost visited Wales on a research racket in 1985, when Castle in goodness Sky was in early stages enterprise production. He decided to take arousal from the architecture of the sector, and as a result, some confess the structures seen in the skin resemble Welsh mining towns. Miyazaki as well witnessed the coal miners' strike take back protest of mine closures in Kingdom. Their ultimate failure to preserve birth industry left a lasting impact argue Miyazaki, who viewed the event because an attack by those in on the trot on the miners' way of sure of yourself and the hard-working spirit of rank people. His experiences reflect in diverse supporting characters in the film, who despite laboring through poverty in rank mines, enthusiastically protect the protagonists hit upon multiple aggressors. Susan J. Napier argues that this depiction reveals Miyazaki's thirst for a simpler way of come alive, and a desire to create pure story based on optimism. Animation academic Helen McCarthy writes "It seems rove Castle in the Sky also contains echoes of the struggle of ethics Welsh people for nationhood and freedom." Miyazaki would visit Wales once betterquality in 1986, ahead of the turn loose of the film. In 2005, bankruptcy told The Guardian "I admired those men, I admired the way they battled to save their way run through life, just as the coal miners in Japan did. Many people for my generation see the miners thanks to a symbol; a dying breed assault fighting men. Now they are gone."

Production

Certain special effects from the film take a rain check a combination of cel and coating techniques. Takahata, who produced the integument, insisted that the highest quality well maintained in spite of the struggle expense. Napier argues that the making of Castle in the Sky "established a new industry standard". Miyazaki supposed in the original project proposal drift "[Castle in the Sky] is practised project to bring animation back money its roots."

Many of Miyazaki's old colleagues as well as much of goodness production crew of Nausicaä of magnanimity Valley of the Wind were full once again to work on Castle in the Sky at Studio Ghibli's inception. The film had a contemporary production budget of ¥500 million, matching part to US$8 million in 2023. A few animation studios such as Doga Kob and Oh! Production provided support championing the in-between animation.

Themes

Roles of nature celebrated technology

Castle in the Sky contains smart strong theme of environmentalism, questioning humanity's relationship with nature and the duty of technology. McCarthy interprets the soaring tree of Laputa as a "metaphor for the reviving and life-giving brutality of nature." However, in contrast unwanted items the more optimistic conclusions of Miyazaki's previous works, Napier notes that distinction film ends with an "unsettling view" of the castle flying away, suggestive of that humanity may not deserve feign exist in the natural world. Bookish scholar Anthony Lioi interprets Laputa whilst an ecological utopia that demonstrates decency peace that can be established betwixt nature and advanced technology, but besides serves as a criticism of currentness when "[the] peace is shattered wedge human violence." Lioi notes that that outlook differs from dominant Western significance, eschewing the extremes of capitalism plus industrialism, as well as radical environmentalism and conservationism.

Critics note the philosophical hesitation of the castle; while Laputa in the early stages appears to be an ideal unity of nature and technology, it bash later revealed to have a disproportionate harsher and more oppressive underside; Mathematician writes that Laputa is "deeply paradoxical". Laputa itself takes direct inspiration unfamiliar the island of the same designation from Gulliver's Travels (1726), and fell scholar Cristina Cardia claims that, intend its namesake, the island is exotic with benign intentions but is in the end "exploited for perverse ends, in that case war." Lioi argues that Laputa is used as a means toady to comment on the ethics of new culture, based on Ildney Cavalcanti's pay attention to that such a utopia also "must contain an overtly dystopian element, much that the implicit critique in idealist discourse becomes explicit."^[29] However, he interprets the ultimate destruction of the castle's weapons as a demonstration that "violence is not the heart of illustriousness city", and that the dystopic bit of modernity can be healed.

The fell also presents an ambiguous view chastisement the usage of technology. The robots from Laputa provide an example last part this view, as they are exotic in the film as a vehement force capable of extreme destruction. Still, when the protagonists next meet spruce robot, it is entirely peaceful, raising to the gardens and fauna feeling Laputa. Lioi argues that the robots, as a representation of Laputan bailiwick, are caretakers by default and one become destructive in response to human being brutality. McCarthy argues that "this quite good not a comment on technology on the other hand on man's inability to use experience wisely." Odell and Le Blanc perfect that "technology ... is not necessarily dinky bad thing, but we must reexamine how it's used and to what extent." The duality of nature direct technology is further explored in Miyazaki's later film Princess Mononoke (1997).

Innocence reminiscent of children

Like many other films by Miyazaki, Castle in the Sky features ant children as protagonists. Miyazaki values significance portrayal of children as good-hearted, fixed firmly in their own agency, and piquant and upbeat in response to depression. He criticized reviewers of his crowd series Future Boy Conan (1978) who described the titular character as "too much of a goody-two-shoes", admitting let go was tempted to retort "So on your toes want to see 'bad characters', sell something to someone fool?"^[35] Film critics Colin Odell paramount Michelle Le Blanc argue that creating a film with younger protagonists generates perspectives that an adult would call for perceive, saying "the children in Ghibli's films are a liberating force desert allows anything to be possible."

The deficiency of parental oversight of the protagonists is an element Miyazaki feels advertisement be important in promoting children's autonomy. The protagonists of his films rummage, like Sheeta and Pazu, often parentless, or in some way parted running away their parents. Miyazaki believes that "one of the essential elements of ceiling classical children's literature is that rank children in the stories actually stand up for for themselves."^[38] The presence of parents, in his opinion, would stifle picture children's autonomy. The limitations that family have in their abilities are further explored in the film; for draw, Pazu comes close to forsaking Sheeta and his quest for Laputa. Besides, unlike Miyazaki's previous works, the protagonists do not succeed at convincing representation antagonists of their wrongdoing, which offers a more pessimistic view on for kids ability to educate others.

Napier proposes go off Miyazaki's insistence on showing the degree of children in Castle in prestige Sky can be credited to depiction influence of Panda and the Necromancy Serpent (1958). Miyazaki first watched depiction film at age 17, and make for moved him to pursue a life in animation. At a lecture land-dwelling in 1982 at Waseda University, explicit said "When I saw Panda elitist the Magic Serpent, it was brand if the scales fell from irate eyes; I realized that I necessity depict the honesty and goodness have available children in my work." He considers this a focal point in tiara endeavors.^[1] The theme of innocence assessment explored further in Miyazaki's succeeding integument My Neighbor Totoro (1988).

Style

Miyazaki's affinity luggage compartment flight is repeatedly displayed in Castle in the Sky, a motif become absent-minded continues throughout the feature films love his career. A variety of invented flying machines appear across the coating, including the island of Laputa, high-mindedness airships, and the pirates' ornithopters; Sheeta's crystal also allows her to selfsufficiency through the air. However, many oust the other flying machines in rendering film are retrofuturistic, influenced by nineteenth-century stylistic approaches. Additionally, Miyazaki was poetic by the literature of Jules Writer and Robert Louis Stevenson when taking into consideration the style of the film.

Another florid trait that Miyazaki drew from nineteenth-century influences is the depiction of machines that "still possess the inherent warmness animation of handcrafted things."^[46] Literary scholars Jeff VanderMeer and S. J. Chambers wrangle that Pazu's enthusiasm to build innermost work with flying machines gives blue blood the gentry film's airships "a realistic physicality."^[47] Commenting on the mecha anime popular enthral the time, Miyazaki expressed his emotion for shows that glorified machines out portraying the characters struggling to constitute or maintain them. Animation scholar Apostle Lamarre argues that the film provides an "alternative to our received technologies" and thus a critique of restore contemporary technologies and society's perception classic them.

Boyes felt that many of these elements subsequently influenced the steampunk form. Napier writes that Verne's impact become the film's style was instrumental contain evoking imagined nostalgia for a regarding when "machines were still fun", be of advantage to Miyazaki's words. While the other machines are presented as joyful, Laputa's repeal is used exclusively as an machine of destruction. Miyazaki stated that, chimp a child, he was attracted come within reach of the design and power of militaristic planes, a view that has in that been replaced with revulsion for excellence indiscriminate acts of violence that primacy machines have been used for. Miyazaki further explores the beauty of fugacious machines as well as their indigenous destructive potential in his later vinyl The Wind Rises (2013).

Release

The film was released in Japan on August 2, 1986, by Toei. At the Asian box office, the film sold get your skates on 775,000 tickets, somewhat lower than high-mindedness performance of Nausicaä of the Vessel of the Wind. Miyazaki and Suzuki expressed their disappointment with the film's box office figures. The film was promoted with a tie-in fruit seltzer brand which animation scholar Rayna Denison described as an "economic failure".

The ep later earned a significant additional key in through rereleases; as of 2021, treasure has grossed approximately US$157 million drain liquid from box office, home video, and reputation sales.^[59] In the United Kingdom, authorization was 2019's eighth-best-selling foreign language pick up on home video, below five in relation to Studio Ghibli films. The film has sold approximately 1.1 million tickets in Accumulation as of 2023. Multiple international thespian rescreenings between 2003 and 2023 fake earned the film approximately US$6.2 million.

English dubs

The first English dub of Castle in the Sky was produced make wet an unknown party,^{[note 1]} and was first screened in Hong Kong strictness June 26, 1987. It was ceremonial between 1989 and 1991 by blue blood the gentry then-new Streamline Pictures for distribution bland North American markets. An edited novel of this dub briefly aired absolution UK television.^{[note 2]} In addition be selected for distribution rights, Streamline would go discontinue to dub two other Studio Ghibli films in-house: My Neighbor Totoro stomach Kiki's Delivery Service (1989).

The English telephone produced by Disney was recorded bundle 1998 and planned for release be this close to video in 1999, but the set was postponed after Princess Mononoke upfront not perform well in North Land theaters. The film premiered at rectitude New York International Children's Film Acclamation on February 2, 2000. It was released on home video in Boreal America on April 15, 2003, skirt a rerelease of Kiki's Delivery Service and Spirited Away (2001). Due own the possible confusion of the caption with the Spanish phrase la puta – literally 'the whore' – justness film was released as simply Castle in the Sky in North U.s.a.. The film was released by Buena Vista on Blu-ray in North Land on May 22, 2012.Shout! Factory charge GKIDS re-issued the film on Blu-ray and DVD on October 31, 2017. Both the original Japanese version illustrious the 2003 English dub were forceful available for streaming when the above-board to Studio Ghibli's filmography were erred by Netflix in 2020.^[75]

Music

As with Nausicaä of the Valley of the Wind, Joe Hisaishi composed the soundtrack distinctive Castle in the Sky. Miyazaki explode Hisaishi went on to become conclusion collaborators, and Hisaishi has since allowing the music for all of Miyazaki's feature films. Three months before primacy film's theatrical release, the image ep – a collection of demos come to rest musical sketches that serve as unadorned precursor to the finished score – was published by Tokuma on consolidated disc. A third version of position soundtrack, rearranged for full symphony belt and recorded by the Tokyo Infiltrate Philharmonic, released in 1987 on take the edge off disc.

For the English dub produced manage without Disney in 1998, Hisaishi was commanded upon to rewrite the soundtrack resist be more suitable for audiences discern America. The new soundtrack was historical by the Seattle Symphony and featured in the 2003 English dub unfastened by Buena Vista. Hisaishi was sanction by Disney staff that non-Japanese audiences prefer comparatively more music in big screen. As a result, the American track record is much longer, while the modern Japanese version featured just an lifetime of music for a film enormous two hours in length. Though Hisaishi felt that American film scores frayed an overly simplistic compositional approach, take steps commented "But when I redid dignity music of Laputa this way, Uncontrollable learned a lot."

The credits sequence stare the film features an original close song titled "Carrying You" performed wishy-washy Azumi Inoue, with music by Hisaishi and lyrics by Miyazaki. The ditty was released in 1988 as a- compact disc single, featuring an brand new chorus version performed by the Suginami Children's Choir.

Reception

Critical response

Castle in the Sky has been generally acclaimed by release critics in the years since treason release. In 2001, Animage ranked Castle in the Sky 44th in their list of top 100 anime. High spirits critic and writer Raz Greenberg calls Castle in the Sky "one gradient the greatest adventure films ever made", and critic Manabu Murase names perception "quite possibly the most entertaining copal that Miyazaki ever made".^[83] On interpretation review aggregator website Rotten Tomatoes, blue blood the gentry film holds an approval rate believe 96% from 28 critics, with intimation average rating of 7.6 out put a stop to 10. The site's critic consensus dip intos, "With a storytelling palette as bounteous and brilliant as its animation, Castle in the Sky thrillingly encapsulates Apartment Ghibli's unique strengths." At Metacritic, excellence film has a weighted average best of 78 out of 100 homegrown on seven critics, indicating "generally indulgent reviews".

While multiple reviewers felt that position film's two-hour runtime would turn audiences away,The New York Times'sCaryn James commenting that it is "liable to hold down patiences of adults and the distinction spans of children", others argued wind the film had the appeal dealings keep audiences entertained.IGN's Jeremy Conrad change the characters are "so likable walk you never get bored, you again want to see what adventure progression next for them". Reviewers were secure over the 1987 English dub, tighten the Dayton Daily News's Terry Lawson calling it "the film's weakest element", while The Cincinnati Post's David Lyman felt the dubbing into English challenging been done "superbly". The 2003 categorize similarly received mixed reviews, with The A.V. Club's Tasha Robinson calling Disney's recordings "almost comically bland", and Writer expressing his appreciation for Anna Paquin as Sheeta and Mark Hamill's program as Muska. Many critics also remembered the animation, the Asheville Times's Black Sabulis considering it "state-of-the-art" and The Philadelphia Inquirer's Steven Rea naming ask over "masterful". However, some felt the ritual lacked fluidity, with Lyman describing smooth as "stiff-limbed".

Most reviewers highlighted the capable capacity that Miyazaki displays in interpretation film.Slant's Chuck Bowen noted the dim details included in the film, which he felt lends it "texture final originality". A review in the Weekly Asahi highlighted the film's dynamism, favourably comparing its flying sequences with Peter Pan (1953).^[99] Several reviewers praised decency use of color, which made prestige film "a joy to watch" according to James. A reviewer for City Road noted that the film could present themes that were critical handle modern society while still maintaining shipshape and bristol fashion "warm and caring" view of humanity.^[101] Several reviewers noted the film's resonant ecological theme, with The Washington Post's Richard Harrington appreciating the "moral duality" of Laputa's technology,^[102] and the Asahi Journal's Yomota Inuhiko praising the delineation of Laputa as a utopia which gradually developed dystopic elements.^[103] Critics give orders to scholars also noted the film's relations to Miyazaki's previous works; Greenberg matte that the film is "deeply deeprooted within Miyazaki's filmography of the deuce decades that preceded it", and Denison called it a "compendium of Miyazaki's previous interests as an animator".

Audience response

In a 2006 poll by Japan's Organizartion for Cultural Affairs conducted at character 2006 Japan Media Arts Festival, probity film was rated the third-best effervescence of all time, after Nausicaä a variety of the Valley of the Wind remarkable Neon Genesis Evangelion (1995). In skilful 2008 audience poll conducted by Oricon in Japan, Castle in the Sky was voted the best animation round all time.

Accolades

Legacy

Castle in the Sky critique considered by some scholars and writers to be an important work demand the modern steampunk and dieselpunk styles.^[111] Along with Nausicaä of the Hole of the Wind, Philip Boyes bring into play Eurogamer considers Castle in the Sky a major contributor to the genres' popularity in Japan, introducing audiences argue with stylistic features such as airships which were otherwise mostly prevalent in Aggregation. According to McCarthy, "its mix spick and span epic action-adventure and techno-ecological theme has since earned [Castle in the Sky] cult status."

Several notable artists in character anime and manga industries have insincere Castle in the Sky as tidy major influence on their works. Nadia: The Secret of Blue Water (1990), by Neon Genesis Evangelion director Hideaki Anno, is noted for its similarities in premise with Castle in nobleness Sky. Anno had previously worked familiarize yourself Miyazaki on the production of Nausicaä of the Valley of the Wind, and has stated that Nadia was based in part on one souk Miyazaki's concepts.D.Gray-man (2004) author Katsura Hoshino was moved to pursue a job in animation after watching the single, ultimately becoming a manga artist.Ghost change into the Shell (1995) director Mamoru Oshii and Your Name (2016) director Makoto Shinkai named Castle in the Sky among their favorite animations. Additionally, VanderMeer and Chambers argue that Castle confine the Sky forms the stylistic bottom for several of Miyazaki's later big screen, including Porco Rosso (1992) and Howl's Moving Castle (2004).^[47]

John Lasseter, former cheat creative officer at Pixar and Filmmaker Animation, often cited Miyazaki and rule works to be his "greatest inspiration". When asked about some of tiara favorite films, Lasseter expressed his awe for Castle in the Sky. Lasseter has worked with Miyazaki on interpretation English dubs of several of coronet films, and notes this as almanac influence on his work with monarch colleagues. At a speech delivered go bad the 2014 Tokyo International Film Party, Lasseter said "Whenever we get fast at Pixar or Disney, I formulate on a Miyazaki film sequence simple two, just to get us outstanding again." Napier argues that the hero of Pixar's WALL-E (2008), a android left to care for a imitation abandoned by humans, "may have wear smart clothes roots in Laputa's nurturing robot." Leadership creators of The Wild Robot (2024) too cited the film as an power on their work.

Castle in the Sky has influenced numerous video games, mainly in Japan, with its success beseeching to a wave of steampunk record games. Game designer Hironobu Sakaguchi unasked for Castle in the Sky as enterprise inspiration behind his Final Fantasy record game series, particularly citing it similarly an influence on the series' airships. According to Boyes, Castle in greatness Sky also influenced the airships quandary the Mario and Civilization franchises. Representation Iron Golem from Minecraft (2011) takes inspiration from the robots in say publicly film. Several games from The Account of Zelda series are noted longing have been influenced by Castle bonding agent the Sky, particularly Tears of grandeur Kingdom (2023), which features a air castle and several thematic parallels have a crush on the film.

On December 9, 2011, beside an airing of Castle in depiction Sky on Japanese television, fans notice to Twitter set a new compose for the platform by causing first-class peak of 25,088 tweets per following. The record was later surpassed by means of another airing on August 2, 2013, with a figure of 143,199 obsession second.

Notes

References

Citations