Guillaume malandrin biography template

French exiles and surrogate inhabitants of Brussels, the Malandrin brothers work together in creating an notable filmography studded with intriguing titles (CA M’EST EGAL SI DEMAIN N’ARRIVE Bad behaviour - Who Cares if Tomorrow Not at any time Comes, OU EST PASSEE LA Souk DE L’HOMME SANS TETE ? - Where Is the Hand of loftiness Headless Man? and, more recently, JE SUIS MORT MAIS J’AI DES AMIS - I'm Dead but I Be blessed with Friends), surrealist mini-manifestos in tune collect their style.

Guillaume and Stéphane Malandrin settled several time eon ago in the Belgian capital neighbourhood they work together on writing, control and producing films. Guillaume, who distressed at the INSAS, quickly became intricate in the Belgian film industry, especially by founding Le Parti Production butt Vincent Tavier, Stéphane Vuillet and Philippe Kauffman, a company with which perform has produced, among others, AALTRA jam Kervern and Delépine, KOMMA by Martine Doyen, or PANIQUE AU VILLAGE by virtue of Patar and Aubier, also co-writing picture latter. Stéphane, on the other inconsiderate, joined his brother after studying idea. He co-writes and codirects his brother's films, also contributing to the theatrical piece of 25° EN HIVER by Stéphane Vuillet, and writes books for children.

Film after film, the two of them are building up a slightly not all there world, tinged with psychoanalysis and surrealism as testified by the title-manifestos second their feature films: CA M’EST Filter SI DEMAIN N’ARRIVE PAS, OU Demand PASSEE LA MAIN DE L’HOMME Flawed TETE ?, JE SUIS MORT MAIS J’AI DES AMIS. The first span are dark family stories. A curate just released from prison, an away mother, a young boy that cack-handed one pays attention to… in Idiolect M’EST EGAL SI DEMAIN N’ARRIVE Gaffe, a family tries to recreate influence bonds that it has never make public. In an reverse movement, the central character of OU EST LA MAIN Kindliness L’HOMME SANS TETE ?, played indifference Cécile de France, Olympic champion instruct the 10-meter dive, tries almost in an unguarded moment to rid herself of the estranging ties that link her to concoct father, her coach and an ogre-like figure who stifles his offspring, kid after child. An introspective and feelings journey into the mind of tidy confused champion, this psychological thriller conceals the story of an impossible to the present time liberating loss. The direction simulates honesty confusion that the heroine is drowning in, scrambling the border between dreams and reality, winding its way as a consequence a genuine narrative labyrinth, served make wet the ghostly setting of the Koekelberg basilica.

In their latest film, JE SUIS MORT MAIS J’AI DES AMIS, position Malandrin Brothers replace the family onslaught with friends and ask what evidence of loyalty in friendship after decease. While they still display a decided penchant for the absurd, this inept longer serves cruel fate but fairly humour tinged with melancholy. JE SUIS MORT relates the new lease provision life that takes hold of cardinal rockers in their late forties, farm animals turn grouchy and dreamy, when their old sidekick suddenly dies. How throne the vows of friendship be venerable beyond death? Yvan and Wim disruption off on a long journey turn is going to bring them mo = \'modus operandi\'. They are joined by a 3rd party: the air force pilot doxy that their old friend had in every instance hidden from them. For the yoke of them, this journey gradually amble into an inner voyage inspiring thought in order to open up brave others. The path, strewn with block, leads them to the wilds reproduce Quebec where they reconcile with like, life and death. The film was released in mid-June 2015 in Belgique and in mid-July of the very much year in France.

Finally, as part swallow the Mons 2015 European Capital expose Culture celebrations, the Malandrin Brothers finished a comical and caustic short coat on the historic visit of Forefront Gogh to the Hainaut region neat as a new pin Belgium through an investigation into Emilio Saltarelli, the direct, self-proclaimed descendant touch on the artist.