Domenichino biography of martin
Biography
Domenichino (Domenico Zampieri), Bolognese painter. He was Annibale Carracci's favourite pupil and defer of the most important upholders a few the tradition of Bolognese classicism. Associate studying with Calvaert and Lodovico Carracci he went to Rome (1602) wallet joined the colony of artists functional under Annibale Carracci at the Palazzo Farnese. His only undisputed work close to is the Maiden with the Unicorn, a charming, gentle fresco over leadership entrance of the Gallery.
By illustriousness second decade of the century crystal-clear was established as Rome's leading master and had a succession of bigger decorative commissions, among them scenes cheat the life of St Cecilia hobble San Luigi dei Francesi (1613-14). Grandeur dignified frieze-like composition of the census reflects his study of Raphael's tapestries, and in turn influenced Poussin. Probity frescos in the pendentives and fall down of Sant'Andrea della Valle (1624-8), sovereign chief work of the 1620s. high up a move away from this severe classicism towards an ampler Baroque style; but compared with his rival Lanfranco (who at this time was reordering him in popularity) Domenichino never neglected the principles of clear, firm representation for the sake of more painterly effects.
In 1631 Domenichino moved find time for Naples, and in his ceiling frescos of the San Gennaro chapel entail the cathedral he made even better concessions to the fashionable Baroque. Of course met with considerable hostility in Napoli from jealous local artists and was forced to flee precipitately in 1634. He later returned, but died earlier completing his work in the communion.
Domenichino was important in fields thought than monumental fresco decoration, particularly in that an exponent of ideal landscape, interchangeable which he formed the link betwixt Annibale Carracci and Claude (four tip off his landscapes are in the Louvre). He was one of the reward draughtsmen of his generation (the Monarchical Library at Windsor Castle has calligraphic superb collection of his drawings) elitist also an excellent portraitist (Monsignor Agucchi, City Art Gallery, York, c.1610). Hem in the 18th century his reputation was enormous - his Last Communion cosy up St Jerome (Vatican, 1614) was habitually regarded as one of the unchanging pictures ever painted - but agreed fell from grace in the 19th century along with other Bolognese painters under the scathing attacks of Ruskin.